National Film Preservation Foundation, Treasures IV: American Avant-Garde Film, 1947-1986, is a splendid package of 26 films, drawn from New York and San Francisco.
Ben Rivers makes his Bay Area debut this week presenting in person two programs, both providing a slightly dislocative experience at once tranquil and sinister.
Ben Rivers makes his Bay Area debut this week presenting in person two programs, both providing a slightly dislocative experience at once tranquil and sinister.
This "dramatized documentary" was a labor of love–if also a graphic portrayal of the vast LA detached from Hollywood's success-bubble glamour.
SF360.org joined in on a conversation about Cinematheque's past and present when Steven Jenkins lunched with Jonathan Marlow at Caffe Centro.
SF360.org joined in on a conversation about Cinematheque's past and present when Steven Jenkins lunched with Jonathan Marlow at Caffe Centro.
The co-programmers discuss their newest endeavor, though those already from the Bay Area will be familiar with their work at S.F. Cinematheque.
Stacey Wisnia has been a vibrant fixture in the San Francisco film scene for years and has became the Executive Director of the San Francisco Silent Film Festival,
Review: startling portraits Claude Cahun, her half-sister and lover Marcel Moore took of themselves and each other dressed in a variety of personas, costumes and genders in Lover Other.
The Pacific Film Archive's standing as a cinema-centric educational institution brings the avant-garde into conversation with a broad program of film history.
This series of cinematic responses to war, curated by Lebanese video artist Akram Zaatari, opens up possibilities for re-imagining the dehumanized landscape of violence.
Song and Solitude, is a twilight sojourn to a secret world much like our own, rendered with profound patience and a hint of wistfulness.
For close to a decade now, Miranda July has been exploring and often crossing the traditional boundaries between life and the movies.
When onlookers or bystanders disparagingly refer to experimental film as torturous or a bore, it’s a safe bet that they’ve never seen anything by Bruce Baillie.
When onlookers or bystanders disparagingly refer to experimental film as torturous or a bore, it’s a safe bet that they’ve never seen anything by Bruce Baillie.
Newly appointed S.F. Cinematheque executive director Caroline Savage discusses the state of experimental film.
Perfumed Nightmare, a Filipino art film in which process is ultimately indivisible from form, is largely forgotten today but created a minor sensation upon its release.
Perfumed Nightmare, a Filipino art film in which process is ultimately indivisible from form, is largely forgotten today but created a minor sensation upon its release.